Slowly, two shadowy figures come into focus, one behind the other with their hand on the other's neck. Vampire: The Masquerade: Blood Doll Anthology. An series of vignettes from the Not Ready for Opsec Players and Alicia E. Goranson.
Slowly, two shadowy figures come into focus, one behind the other with their hand on the other's neck. Vampire: The Masquerade: Blood Doll Anthology. An series of vignettes from the Not Ready for Opsec Players and Alicia E. Goranson.
Vampire: The Masquerade: Blood Doll Anthology
Vampire: The Masquerade: Blood Doll Anthology - Season 1 - William
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William is written by Alicia E. Goranson and read by Soleil Golden.

Transcript:

Joshua did whatever his clients asked of him – refurbish existing properties or rebuild them from scratch. He was trying to be better known among the Mercer Island crowd. The islanders were always looking to expand or rebuild their domiciles, which could cost hundreds of thousands of 1960s dollars for the level of modern they wanted. His company, Farrington builders, had a good crew who had worked together for a decade, starting with Northside homes and moving into the big leagues as soon as they had the credentials. Joshua never visited the clients outside of a job site though. Not in their clubs or their bars or their social venues. He knew what they wanted him for, but with the cash he was pulling in, he was planning to visit these places someday as a paying customer.

Which is why he found it extremely odd when a new client asked for two very strange things. One was a mansion on an existing property in Queen Anne. And the second was that all its windows were to be facades. And done in a very old style, long out of fashion. The client, William, was very insistent though, “as modern as he would allow it,” explained George, the manager of William’s companies. William also wanted a strict timetable for the work so he would know the exact night he could move in. William and George already had lavish properties on Mercer Island, and it made little sense they’d also want Queen Anne housing on properties that did not even have a view of Puget Sound. Every businessman was grabbing waterfront property but Joshua knew better than to question old money.

After a week of finagling with the architect, Joshua began demolition at the site of the new mansion. The teardown was witnessed by the neighbors who brought their children to watch the old church stripped to the bones and toppled. It had undergone some hard times, and been rewarded for its perseverance with enough cash to be rebuilt elsewhere, miles away to the north. Seattle was near impossible to travel around without a car, but the old church had been there for citizens without cars. Joshua expected to find paint on his own car for doing this job but fortunately enough, he never did. It had been hard to retain the church after the parish minister had died that summer, and now dealing with this horrid, windowless mansion was quite another.

On the night after the final paint job had been completed, with the mansion assembled a few weeks past its scheduled date, Joshua took a walk inside its ornate, fabulous rooms. As he purveyed the great halls within, he stopped to make sure he was hearing correctly. The walls seemed to be breathing. He put out his hand on one to confirm it was slowly moving in and out. And yet the drywall remained unbroken. He thought he must have been experiencing delusions from the paint fumes, and turned to head out, when he found William standing right behind him, in all his regal splendor.

“You shouldn’t be here,” William said. “But now that you are, you have seen my work. I’m imbuing the house with life.”

“That’s fantastic,” Joshua said. “I really have to be going now.”

“You would like to go,” William said. “But new life needs to be fed. And the house is very hungry.”

“Okay, you’re drunk or something,” Joshua said. “Let me by.”

“Of course,” William said, and stepped aside.

Joshua turned down the hall he had spent months building, reinforcing, and painting. But around the next corner, he found himself in an entirely different room. One he had not built. A vast space with an amber globe in the center made from glass in the style of Modernism from the 1920s. He hurried through to a different hallway, with floral print on the walls that he had not put up, lined with doors made from wood that did not grow in the States. Joshua began to run, finding himself in one strange room after the next, lost in a labyrinth he thought he knew, terrified that the house had become something other than his creation. That nothing of his remained within it, and that he would never find his way out. And no windows. No windows anywhere. Just as William had requested. There was simply. No. Way. Out.

And then he felt a strong, clawed hand on his shoulder, reaching out seemingly from the void, holding him in place.

He looked back. It was George, William’s businessman.

“Good heavens,” George said. “The house is not that large. Just, get out. Get out before he notices.”

And Joshua once more saw the house as it was, as he had built it. And while he could, he fled.

-END-

Portions of the materials are the copyrights and trademarks of Paradox Interactive AB, and are used with permission. All rights reserved. For more information please visit worldofdarkness.com.

Slowly, two shadowy figures come into focus, one behind the other with their hand on the other's neck. Vampire: The Masquerade: Blood Doll Anthology. An series of vignettes from the Not Ready for Opsec Players and Alicia E. Goranson.
Slowly, two shadowy figures come into focus, one behind the other with their hand on the other's neck. Vampire: The Masquerade: Blood Doll Anthology. An series of vignettes from the Not Ready for Opsec Players and Alicia E. Goranson.
Vampire: The Masquerade: Blood Doll Anthology
Vampire: The Masquerade: Blood Doll Anthology - Season 1 - Samael and Elijio
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Samael and Elijio is written by Alicia E. Goranson and read by Soleil Golden.

Transcript:

George solemnly regards the numbers in William’s ledger, line by line, until they find one that does not match the expected figure. They put the book down and pick up their coat and hat, calling for their carriage and driver. They step outside into the clouded night. They give directions and set off, hours on end, stuck in a rattling carriage without light. George brings the latest serial of Mr. Dickens’ to try to make the time pass on the way

And they are under a balcony of an ornate home owned by a family Elijio trusts. Elijio slides into the shadow under the full moon with George and they wrap their fingers together, staring into the wells of each others’ pupils. Then they kiss, tasting each others’ lips and tongues, greedily stealing what precious liquid exists in each others’ maws. Their hands unlock, fighting against buttons, collars, digging until they reach bare skin, flicking nipples, clawing bosoms, demanding every ounce of heat from the other. They are careful not to leave marks, but it would be so easy and a lovely reminder about this secret tryst

And George’s carriage stops outside the house of Mr. and Mrs. Monday, who were given charge by William to manage the finances of trade in this seaside village. George steps down the carriage’s side and enjoys a bit of steadiness before ascending to the Monday’s door. They rap once, twice, thrice, until a servant, half-asleep and pale, answers. George does not wait for permission to enter. They saunter by while the servant nips at their heels as a puppy. “M’lord, you cannot go in. The sir and madam are sleeping!”

“I assure you,” George gives all the response they intend to. “That is the last thing they are doing.”

George walks upstairs to the Monday’s bedroom and without hesitation, breaks down the door where

Elijio’s hands are the first to plunge into George’s trousers. George’s cock bears a deep hunger. “If you’re going to be base about it,” they say and run their fingers down Elijio’s chest until they’ve grasped their prize. But Elijio is the stronger of the two and forces George against the wall, kissing them for good measure, ears open for anyone who might have heard them like

Mrs. Monday screams a full second before George slaps their clawed hand over her mouth. Mr. Monday charges at George and breaks a chair over their back. George is undeterred. “Mr. Monday,” they say. “Six hundred, twenty-three pounds, and four shillings or I make one of you a widower. And I haven’t decided which yet.”

“You can’t ask that of us,” Mr. Monday begs. “Our family has debts. There is no money to give.”

“You behave as if I care,” George says, feeling William’s stare burning their own back. Feeling

Elijio’s own mouth consuming their cock, in and out, in and out with that nasty, incomparable tongue. George wants to enjoy it. Elijio wants to enjoy it. They have about fifteen minutes left before they need to stop and return to work.

How do you live in the moment when the past and future beat on you like George on Mr. Monday for a paltry sum of cash, like Elijio on George to feel something in their small, savage lives, or like William on the two of them if he ever catches them together again in anything but a professional capacity?

George extracts several teeth from Mr. Monday while exploring Elijio’s fine, sharp maw and there is no escape for any of them, and it feels like there never, ever will be.

-END-

Portions of the materials are the copyrights and trademarks of Paradox Interactive AB, and are used with permission. All rights reserved. For more information please visit worldofdarkness.com.

Slowly, two shadowy figures come into focus, one behind the other with their hand on the other's neck. Vampire: The Masquerade: Blood Doll Anthology. An series of vignettes from the Not Ready for Opsec Players and Alicia E. Goranson.
Slowly, two shadowy figures come into focus, one behind the other with their hand on the other's neck. Vampire: The Masquerade: Blood Doll Anthology. An series of vignettes from the Not Ready for Opsec Players and Alicia E. Goranson.
Vampire: The Masquerade: Blood Doll Anthology
Vampire: The Masquerade: Blood Doll Anthology - Season 1 - Samael (2)
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Samael (2) is written by Alicia E. Goranson and read by Soleil Golden.

Transcript:

George Gataker spent two days on the road from London to Norwich where he had been sent to work. Night passengers might find a carriage and driver comfortable enough to risk attacks, pot-holes, and wheel-damage under the moon-sky with miles between villages and farmers unlikely to help a stranger of even George’s standing. He was hardly a noble or a captain of industry; the son of a moderately successful storekeep and tanner in a wool suit too fine for him, sent to Norfolk county for purposes that seemed even unclear to him. William, his employer, wished for him to “maintain a presence in Norfolk, watch for newcomers, and especially those landing in seaside towns without announcement or papers.”

George clutched a bound ledger of the contacts he was to meet. They were scattered throughout the coast, far enough apart that it was impossible to see more than two a day. Exhausted, buttocks numb from the coach’s rocking, he was relieved to see the spire of Norwich Cathedral piercing up through the darkened city that was to become his home.

(“His.” They never liked “his.” There was something demoralizing about it, a host of duties for which they were not prepared nor interested in serving.)

The coach pulled to a stop by the short town estate coated in stones pressed into concrete. It wouldn’t keep warm, but nothing did, even in London; not that George needed heat anymore. Still, he looked forward to spreading the contents of his suitcase around rooms ten times the size of his former flat. He stepped from the carriage and was promptly handed his bag.

“I’ve got to get to my cousin’s for the night,” the driver said, and waited on the coins George had ready to press into his palm.

George almost broke off the heavy iron key in the ancient door’s lock. Inside, the place smelled foul, of mildew and mice, obviously kept in William’s family from long before the Restoration and only now opened in the past hundred years. George checked room after room, guest quarters, servant quarters, kitchen, for a space where there would be no guests but he, no servants but he, for a man who did not eat from kitchens. In the basement, a mouse-eaten straw bed lay in stupor, collapsing into dust when George sat on it. He groaned. For all of William’s pretty promises, George had been dumped to the coast of England where he would have to make the best of it. Certainly no one here would help. The nearest address in George’s ledger was a three hour carriage ride away. And George was hungry.

He bundled himself up to disguise his tall proportions and took to the streets. The cathedral was a short walk away; a stone wonder to the glory of man and god. But no, the town vicar would be easily missed and the driver would have announced George’s arrival to someone.

George wandered the streets, alone, a house cat taken far away and abandoned in the woods, unfamiliar with scent or space, unsure how he would make a new life here. George rested on a small wooden staircase, put his head in his hands, and if he could have, he would have wept.

-END-

Portions of the materials are the copyrights and trademarks of Paradox Interactive AB, and are used with permission. All rights reserved. For more information please visit worldofdarkness.com.

Slowly, two shadowy figures come into focus, one behind the other with their hand on the other's neck. Vampire: The Masquerade: Blood Doll Anthology. An series of vignettes from the Not Ready for Opsec Players and Alicia E. Goranson.
Slowly, two shadowy figures come into focus, one behind the other with their hand on the other's neck. Vampire: The Masquerade: Blood Doll Anthology. An series of vignettes from the Not Ready for Opsec Players and Alicia E. Goranson.
Vampire: The Masquerade: Blood Doll Anthology
Vampire: The Masquerade: Blood Doll Anthology - Season 1 - Samael (1)
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Samael (1) is written by Alicia E. Goranson, and read by Soleil Golden.

Transcript:

Jess didn’t know what to make of the elderly gentleman who entered her gas station at three in the morning. He was balding but his haircut was immaculate, as was his black suit and white shirt, fine enough not to need a tie. He seemed eager to show off his money to someone, not her. She only worked here and “working” (in quotes) only took half her time.

“Excuse me,” the elderly gentleman said as he entered. “One hundred dollars for pump four, please.”

He set down a hundred dollar bill in front of her. She simply shook her head.

“We don’t accept anything over a twenty,” she said. “Store policy.”

“Oh,” the gentleman said. He was about to depart when he noticed the paperback she had been reading. “I say, is that Hawthorne?”

“’The Scarlet Letter,’” Jess said. “It’s pretty good.”

“It’s fascinating how surreal it is,” the gentleman said. “Of course, Hawthorne would have no idea what ‘surreal’ meant. But I’d like to think he had an inkling of magical realism before the movement took off.”

“I don’t know,” Jess said. “It’s kinda slow.”

“Compared with books today, yes,” the gentleman said. “But it’s what I like. Careful. Deliberate. Well revised. What do you like about it?”

“I like Hester,” Jess said. “I can relate. She gets screwed over so bad but at least she’s got space for herself and her daughter.”

“Do you need space?” the gentleman said. “Is this station as overwhelming and constrictive for you as it is for me?”

“It’s fine,” Jess said. “I guess. Are you from management or something?”

“I assure you, I am not,” the gentleman said. “Not from your company at least. I am familiar with working at a shop though. My father ran a shop like this in many ways. Cramped. With baubles and cheap foods for the workers. I spent many on hour behind the counter. Like you. And I remember the feast or famine of my time. Either no one in line or the line out the door, working as fast as possible. At least that ghastly machine makes most of the decisions for you, regarding price. I would mischarge for people’s orders all the time. It wasn’t pleasant, but I did have the luxury of undercharging friends, who I knew would undercharge me and my family at their own businesses.”

“What store did you work for?” Jess said.

“You wouldn’t have heard of it,” the gentleman said. “Anyhow. I must have my gasoline. Here are five twenties. I hope they can cover the minimum price for the pump’s use?”

Jess accepted the twenties and activated the pump. The gentleman bowed to her and walked out. Jess watched his driver fill the car with seventy dollars worth of gas. And then, to her surprise, the car drove off without its change.

Jess rang up the transaction, checking the bills that had been left behind. To her horror, she noticed they had become hundreds. Perhaps they always were. Perhaps the gentleman had had nothing smaller, and so had given her five hundreds and somehow…

Somehow…

Jess didn’t know what to think of the elderly gentleman then.

-END-

Portions of the materials are the copyrights and trademarks of Paradox Interactive AB, and are used with permission. All rights reserved. For more information please visit worldofdarkness.com.